Aengus Martin Publications

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Journal Papers

• A. Martin, C.T. Jin and O. Bown, “Design and Evaluation of Agents that Sequence and Juxtapose Short Musical Patterns in Real Time,” Computer Music Journal, 41:4 (2018)
• A. Martin, C. Jin and André van Schaik, “Psychoacoustic Evaluation of Systems for Delivering Spatialized Augmented-Reality Audio,” J. Audio Eng. Soc., 57:12 (2009)
• N. Kern, D. Weaire, A. Martin, S. Hutzler and S.J. Cox, ”The two-dimensional viscous froth model for foam dynamics,” Phys. Rev. E., 70:4 (2004)
• T.R. Ní Mhíocháin, G. Hinds, A. Martin, E. Chang, A. Lai, L. Costiner, J.M.D. Coey, “Influence of a Magnetic Field on the Morphology of Zinc Electrodeposits,” Electrochimica Acta, 49, 4813-4828 (2004)

Conference Publications

• A. Eigenfeldt, O. Bown, P. Pasquier and A. Martin, “Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend,” 2nd International Workshop on Musical Metacreation, Boston, MA (2013)
• O. Bown, A. Eigenfeldt, P. Pasquier, B. Carey and A. Martin, “The Musical Metacreation Weekend: Challenges arising from the live presentation of musically metacreative systems,” 2nd International Workshop on Musical Metacreation, Boston, MA (2013)
• A. Martin and O. Bown, “The Agent Designer Toolkit,” Demo at the 9th ACM Conference on Creativity and Cognition, Sydney, Australia (2013)
• S. Ferguson, A. Johnston and A. Martin, “A Corpus-Based Method for Controlling Guitar Feedback,” 13th International Conference on New Interfaces for Musical Expression, Seoul, Korean Republic (2013)
• O. Bown and A. Martin, “Autonomy in Music-Generating Systems,” 1st International Workshop on Musical Metacreation, Palo Alto, California (2012)
• A. Martin, C.T. Jin, B. Carey and O. Bown, “Creative Experiments Using a System for Learning High-Level Performance Structure in Ableton Live,” Sound and Music Computing Conference, Copenhagen, Denmark (2012)
• A. Martin, C.T. Jin and O. Bown, “Implementation of a real-time musical decision-maker,” Australasian Computer Music Conference, Brisbane, Australia (2012)
• K. Beilharz and A. Martin “The 'Interface' in Site-Specific Sound Installation,” New Interfaces for Musical Expression, Ann Arbour, Michigan (2012)
• A. Martin, C. Jin and O. Bown, “A Toolkit for Designing Interactive Musical Agents,” Proceedings of OZCHI 2011, Canberra, Australia (2011)
• A. Martin and K. Beilharz, “Windtraces: Accessible Sonic Art," Proceedings of CreateWorld, Brisbane, Australia (2011)
• A. Martin, C. Jin, A. McEwan and W.L. Martens, “A Similarity Algorithm for Interactive Style Imitation,” International Computer Music Conference, Huddersfield, UK (2011)
• A. Martin, S. Ferguson, K. Beilharz, “Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback Control,” New Interfaces for Musical Expression, Sydney (2010)
• A. Martin, C. Jin, A. van Schaik and W.L. Martens, “Partially Observable Markov Decision Processes for Interactive Music Systems,” International Computer Music Conference, New York (2010)
• C. Jin, A. Martin and A. van Schaik, “Psychoacoustic Evaluation of a New Earpiece for Augmented-Reality Audio,” 14th International Congress on Sound and Vibration, Cairns, Australia (2007)

Dissertations

• A. Martin, “Methods to Support End User Design of Arrangement-Level Musical Decision Making,” PhD Thesis, The University of Sydney, Australia, (2014)
• A. Martin, “Algorithms for Sonification: Smoke, Boids and the Game of Life,” M. Phil. Thesis, Trinity College Dublin, Ireland, (2005)
• A. Martin, “The Viscous Froth Model,” M. Sc. Thesis, Trinity College Dublin, Ireland, (2003)

Abstracts

• A. Martin, C.T. Jin and O. Bown, “A Toolkit for Designing Interactive Musical Agents,” Music Sound and Action Research Day, University of Western Sydney, Australia (2011)
• A. Martin and S. Hutzler, “The Viscous Froth Model,” abstract in the proceedings of Institute of Physics (IOP) Ireland Spring Weekend, (2003)

Art Works and Performances

• O. Bown and A. Martin, “Backgammon," Live Performance with musical agents at the 9th ACM Conference on Creativity and Cognition, Sydney, Australia (2013)
• A. Martin, “Isidore," Musical Agent Performance at Diffuse Concert, University of Technology, Sydney, (June 2012)
• O. Bown, P. Hollo and A. Martin, Untitled Improvisation, Improvisation with Cello and agent-controlled electronics at Diffuse Concert, University of Technology, Sydney, (June 2012)
• A. Zeman, B. Carey and A. Martin, Untitled Improvisation, Improvisation with Trombone and agent-controlled electronics at Algorithmic Improviser: Performance Night, Serial Space, Sydney, (April 2012)
• E. Dorian, O. Bown and A. Martin, Untitled Improvisation, Improvisation with Drums and agent-controlled electronics at Algorithmic Improviser: Performance Night, Serial Space, Sydney, (April 2012)
• A. Martin and K. Beilharz, “Windtraces," Sound installation Exhibited at Sculpture by the Sea, Bondi, Sydney (2011)